You know what I did last summer

As ye return from summer, here’s a glimpse of what you may have missed on MAN while you were recreating…

• A Q&A with artist Robyn O’Neil about her work and the American Folk Art Museum’s Dargerism show: Part one, two, three, four.
• Rethinking Sam Francis’ spectacular Basel Mural I at the Norton Simon.
• The Chinati Foundation is building a major Robert Irwin.
• The best contemporary show of the summer may have been the Baltimore Contemporary’s Cottage Industry: Intro and parts one, two, three, four.
• Andrea Zittel created a swap meet of sorts, complete with a surprise.
• MAN broke the news of an AAMD investigation into a questionable Denver Art Museum deaccessioning. Last I checked, the situation was still unresolved.
• Despite not having expanded in 30 years, the National Gallery is having a hard time finding a place to grow.
• The Cleveland Museum of Art’s re-opening of its 1916 building is a hit.
• What Richard Diebenkorn was doing in New Mexico: Part one, two.

Ben & Jerry’s vs. Spencer Finch

I love Spencer Finch. I love ice cream. So how cool does this sound: As part of the Pulitzer Foundation for the Arts’ ‘Light Project,’ Spencer Finch is making ice cream.

Sweet. Because if I were to eat a typical Spencer Finch I’m pretty sure it would taste like fluorescent lights, which are not as tasty as ice cream. Even cooler: Finch and the Pulitzer, in partnership with the Contemporary Art Museum St. Louis, are giving away the ice cream every day but Monday. (That’s either the cows’ day off, or Ted Drewes threatened to sue.)

This being a Finch, there’s an atmospherics related tie-in: The ice cream is made with solar panels and some ice-cream making equipment, and it involves something Finch calls an “edible monochrome,” a color that has something to do with the St. Louis sunset. (If your dog ate your McCracken that would make it an edible monochrome too. And just wondering: Does the sun shine on Finch wherever he goes? That would be awesome.)

The picture at left is an Arthur Dove-recalling Finch watercolor that references a St. Louis sunset. The image above is of the first test of ice cream making and shows two guys eating the finished product. (And, as the The Light Project’s Spencer Finch page says, they are “saving some for later.”)

Check out more at this fantastically complicated and absorbing Light Project website. (Other Light Project artists include Ann Lislegaard and Jason Peters.) And if you can’t head down Grand Ave. for some ice cream of your own, subscribe to the ice cream’s RSS feed. There’s also more at this Pulitzer blog post and at this Contemporary blog post.

McCain on Arts Funding

We’ve gone a few rounds on whether federal arts funding is a good or bad thing here, but on the eve of John McCain’s acceptance speech as the GOP Presidential nominee, I thought I should look a little more closely at what his position on the matter is.

There is nothing at all about arts funding (or the importance of the arts to the nation) on his website that I could find.

There are several blog posts about his long-standing rejection of the notion that federal dollars should ever be spent to support organizations like the NEA, and this article from the University of Southern California:

McCain… has a historical track record of supporting anti-arts legislation, including the 1999 Smith-Ashcroft Amendment, which would have cut all funding for the NEA; and the 1989 Helms Amendment, which aimed to deny funding to art considered “obscene.” McCain doesn’t have an arts policy, other than a desire to eliminate spending directed toward the arts.

In fact, in one analysis of how a McCain administration would spend federal money, the arts are singled out among a long list of other possibilities as the only place he would entirely eliminate funding. He’d increasing funding for police and military needs, but for arts, and according to this source, arts alone, it’s a total elimination:

McCain would “maintain status” on spending for:
• AIDS programs
• Environmental programs
• Foreign aid
• Housing projects
• Job training programs
• Medicaid & Medicare
• Student loan programs

McCain would “slightly increase” spending for:
• Education (K-12)
• Law enforcement
• Military & Veterans Benefits
• Border Control

McCain would “slightly decrease” spending for:
• NASA
• Welfare

McCain would eliminate spending for:
• Arts funding

I know that will endear him to some readers here, but in light of how he’s approaching some other “entitlement” programs, this strikes me as a virtually hostile position toward the arts (not to mention, not at all likely to offset the tax cuts for the wealthy he proposes making permanent).

In response to this attitude toward a government’s involvement/responsibility in supporting the arts, I would point out that among the more conservative people I spoke with recently about how they liked (or didn’t like the 2008 Summer Olympics), and there was plenty of bellyaching about what they assumed must be unfair judging or under-age athletes, not to mention human rights abuses, by the host country, the one thing they all agreed that they truly loved was the artistry and pageantry of the opening and closing ceremonies. That’s what they remembered most fondly about the games, what they marveled at, what softened their otherwise harsh opinions of the Chinese: their art.

We can’t afford a president who doesn’t understand how the arts go hand in hand with improving your image abroad. Forget that this is the man who didn’t have the wherewithal, especially among his staff, to avoid letting this photo happen…

…not understanding that one of America’s remaining areas of dominance is its culture makes him uniquely unqualified to lead us into the 21st Century, where images are increasingly the new lingua franca and art one of the most powerful tools for diplomacy. I think it’s fine to debate whether federal dollars should be spent on the arts, but McCain has no position on our cultural heritage, other than eliminating arts funding, that I can find. Anyone else knowing otherwise, please share.

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Postscript.

Watching the acceptance speech of Vice-Presidential nominee, Governor Sarah Palin (R, Alaska) last night, I couldn’t help but think about this scene from the short-lived TV show, Commander in Chief, in which a woman Vice-President is told, upon the death of the President, that she had been put on the ticket merely as theater, and that the right thing for her to do was to step down now.

I actually loved the first three or four episodes of this show. The fire and strength of Geena Davis’ character and the joy of seeing her work through the problems facing the nation with a mixture of wisdom and compassion was a wonderful antidote to the real-life White House situation in 2005. But somehow the show lost its way and eventually fizzled entirely. I think it had something to do with their main writer leaving the show, or perhaps it was just that there simply were not enough epiphanies that comes to one over the breakfast table as a mother with rambunctious teenagers and a husband who seems somewhat resentful at the role of first spouse that then provide insight into actionable solutions to international turmoil. In other words, if the shows writers hadn’t relied as heavily on that device as they did, they might not have written themselves into a corner.

I won’t predict how well Sarah Palin might do as President if it came to that. I truly hope, for the sake of America, she doesn’t get the VP job.

Dakis Joannou’s Jeff Koons Yacht

The Greek billionaire businessman and art collector Dakis Joannou has had the exterior of his 114 ft luxury yacht designed by Jeff Koons. The owner called his yacht “Guilty” after a Sarah Morris text painting according to the Monaco Eye website.

Joannou launched the yacht with get-together that included art world notables like Nicholas Serota, Jeffrey Deitch, Larry Gagosian, Marian Goodman, Maurizio Cattelan, and Ashley Bickerton.

The closeup of the luxury yacht looks more Roy Lichtenstein than Jeff Koons, but the artist said he was more influenced by WW1 camouflage patterns.

It’s different. I’m not sure Jeff Koons would be my first choice if I had a giant yacht to paint. I might choose Jeff Koons to trim my hedges into giant puppy dogs or to hang hoovers and household items on the wall, but I wouldn’t let him touch my yacht. I would probably call in a minimalist artist and tell him or her to paint it white.
>> Jeff Koons News

The first links of fall

• Don’t miss the Walker Art Center’s UnConvention.
• I wrote about this for Smithsonian magazine last year, and now there are pictures (and more): Trenton Doyle Hancock designs for Ballet Austin.
• Two years ago Sarah Palin was the mayor of Wasilla, AK, pop. 5,469. Take a look. Doesn’t Wasilla look like ’70s-era Stephen Shore?
• The NY Sun’s Kate Taylor reports that Richard Armstrong is close to being named director of the Guggenheim, and that the Met is down to four.
• New MoMA chief curator Ann Temkin has stopped by MAN on occasion: Part one, two, three of MAN’s art after 9/11 series.
• And I’m starting something new on the links front: The sheer number of good arts blogs has blown by my ability to keep up with them all, and I know I’m linking to many of the same blogs too often. So if you have or read a particularly smashing post that you want to make sure I consider for linkage, email it to LinksforMAN-blog (at) yahoo(dot)com.